Creativity is very fertile and it is difficult to stereotype the creativity. But every country, culture and even individual has a distinct style and this style is the representation of that particular country, culture and individual. In a country like India where so many different cultures co exist peacefully, the treasure of traditional art and craft is highly diversified. Every culture or sect is so different from each other still it is its core Indianness which binds them together as one unit called India and this unity is reflected in traditional Indian art and crafts as well. So, let us discuss these Indian art and craft ideas and upcoming young Indian artisans’ role in this field.
There are some motifs they are so intrinsically Indian that whenever we come across them we think of India. Elephant, lotus, different deities, peacock, Jamini Roy or Raja Ravi Verma paintings represent India in most popular ways. When we discuss traditional Indian art and craft ideas, these motifs make special mention as they keep making appearance in different pieces of art and craft. A beautifully adorned elephant in Rajasthan forts, lotus in the Taj Mahal etc can be considered as bright examples. These images also appear in Indian clothes, either woven or painted.
Different types of earthen pottery are considered Indian art and crafts and young artists take a great deal of interest in such type of art ideas. Though the concept of meenakari was popular in the earthen vase, bowls and plates, in modern days the traditional Indian art and craft ideas have blended well with contemporary concepts. The most heartening fact is that young generation takes a great deal of interest in them which gives rise to fresh batches of artisans every year. Art colleges are successfully nurturing and honing the raw talent of these young artists. Success of different art galleries, their advanced bookings, or pottery boutiques and workshops coming up every day speaks galore of the interest of young minds in the field of creativity. As a matter of fact, earthen jewellery especially terracotta is very popular in urban female and their demand is increasing in foreign countries as well.
The weavers in villages of India who weave sarees using handloom are dying of hunger. And with them this art is dying as well. Power loom has taken over which produces more number of sarees, stoles and dupatta in lesser time and price. The artisans are neither skilled or getting aid from the government to equip themselves with the knowledge to run a power loom. They are no longer interested in transferring the legacy of this art to their future generation as they know it would not help them earn a square meal. But with the help of some young designers and energetic minded people, provisions are made to revive this art and turn into a flourishing industry. This is another area where we can say traditional Indian art and craft ideas among young artisans is no less than their predecessors.
Though we often say that young generation is oblivious of the rich heritage and culture of India, but it is not true, at least not in case of Indian art and craft ideas. They are willing to know about it, restore it, pursue it, revive it and do everything to help it get the long lost position. Young artisans are serious about their choices and with correct guidance they can hit their target. All they need is motivation. And if it is done, in no time, traditional Indian art and craft ideas will become popular within and beyond the national boundaries.